I Ching (易經)

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6: ?

5: ?

4: ?

3: ?

2: ?

1: ?

Hexagram 18

蠱 (gǔ), Corrupting

Wilhelm calls this "Work on What Has Been Spoiled [Decay]".

To generate line 1, click here.

The I Ching, or Yi King, is an ancient Chinese text that contains a divination system whose oracles are shown as six lines, a "hexagram", that further divide into two "trigrams" (groups of three lines). Each hexagram has a meaning and an interpretation, and represents a description of a state or process. Come to the oracle with a question or a situation about which you want advice. Cast the oracle, and meditate on the answer.

The two trigrams of each hexagram are referred to as the lower and upper. The lower trigram is the inner aspect (the personal aspect) of a change that is occurring. The upper trigram is its outer aspect (the external situation).

There are several ways of casting the oracle. The system on this page tosses three coins, which come up heads or tails. Heads count as 3, tails as 2, so each cast yields a number 6 through 9. The numbers 6 and 8 are "Yin", represented by a broken line in the hexagram, whereas 7 and 9 are "Yang", represented by a solid line.

Each oracle may have one or two parts. Yin and Yang each have two aspects, "young" and "old". Old Yin becomes Yang, and vice versa; so if your hexagram contains any old Yin or old Yang lines, the change will generate a second hexagram. When you toss the coins, 6 represents old Yin and 9 represents old Yang; these will be shown by the numbers 6 and 9 to the left of their respective lines so you can see what lines will change.

The old Yin and old Yang lines also have special meaning in each hexagram. These explanations will be shown to you.

On this page, you "toss the coins" by clicking above, where it says "click here". You will do this six times; and when you are done, your oracle will be shown to you along with its explanation.

Above: 001 艮 (gèn) : mountain (山), "Keeping Still", Bound

Below: 011 巽 (xùn) : wind (風), "the Gentle", Ground

The Chinese character 蠱 (gǔ) represents a bowl in whose contents worms are breeding. This means decay. It is come about because the gentle indifference in the lower trigram has come together with the rigid inertia of the upper, and the result is stagnation. Since this implies guilt, the conditions embody a demand for removal of the cause. Hence the meaning of the hexagram is not simply "what has been spoiled" but "work on what has been spoiled".

The Judgment

Work on What Has Been Spoiled
Has supreme success.
It furthers one to cross the great water.
Before the starting point, three days.
After the starting point, three days.

What has been spoiled through man's fault can be made good again through man's work. It is not immutable fate, as in the time of Standstill, that has caused the state of corruption, but rather the abuse of human freedom. Work toward improving conditions promises well, because it accords the possibilities of the time. We must not recoil from work and danger — symbolized by crossing of the great water — but must take hold energetically. Success depends, however, on proper deliberation. This is expressed by the lines, "Before the starting point, three days. After the starting point, three days." We must first know the causes of corruption before we can do away with them; hence it is necessary to be cautious during the time before the start. Then we must see to it that the new way is safely entered upon, so that a relapse may be avoided; therefore we must pay attention to the time after the start. Decisiveness and energy must take the place of inertia and indifference that have led to decay, in order that the ending may be followed by a new beginning.

The Image

The wind blows low on the mountain:
The image of Decay.
Thus the superior man stirs up the people
And strengthens their spirit.

When the wind blows low on the mountain, it is thrown back and spoils the vegetation. This contains a challenge to improvement. It is the same with debasing attitudes and fashions; they corrupt human society. His methods likewise must be derived from the two trigrams, but in such a way that their effects unfold in orderly sequence. The superior man must first remove stagnation by stirring up public opinion, as the wind stirs up everything, and must strengthen and tranquilize the character of the people, as the mountain gives tranquillity and nourishment to all that grows in its vicinity.

The Lines

Six in the beginning means:

Setting right what has been spoiled by the father.
If there is a son,
No blame rests upon the departed father.
Danger. In the end good fortune.

Rigid adherence to tradition has resulted in decay. But the decay has not yet penetrated deeply and so can still be easily remedied. It is as if a son were compensated for the decay his father allowed to creep in. Then no blame attaches to the father. However, one must not overlook the danger or take the matter too lightly. Only if one is conscious of the danger connected with every reform will everything go well in the end.

Nine in the second place means:

Setting right what has been spoiled by the mother.
One must not be too persevering.

This refers to mistakes that as a result of weakness have brought about decay — hence the symbol, "what has been spoiled by the mother." In setting things right in such a case, a certain gentle consideration is called for. In order not to wound, one should not attempt to proceed too drastically.

Nine in the third place means:

Setting right what has been spoiled by the father.
There will be a little remorse. No great blame.

This describes a man who proceeds a little too energetically in righting the mistakes of the past. Now and then, as a result, minor discourse and annoyances will surely develop. But too much energy is better than too little. Therefore, although he may at times have slight cause for regret, he remains free of any serious blame.

Six in the fourth place means:

Tolerating what has been spoiled by the father.
In continuing one sees humiliation.

This shows the situation of someone too weak to take measures against decay that has its roots in the past and is just beginning to manifest itself. It is allowed to run its course. If this continues, humiliation will result.

Six in the fifth place means:

Setting right what has been spoiled by the father.
One meets with praise.

An individual is confronted with corruption originating from neglect in former times. He lacks the power to ward it off alone, but with able helpers he can at least bring about a thorough reform, if he cannot create a new beginning, and this also is praiseworthy.

Nine at the top means:

He does not serve kings and princes,
Sets himself higher goals.

Not every man has an obligation to mingle in the affairs of the world. There are some who are developed to such a degree that they are justified in letting the world go its own way and refusing to enter public life with a view to reforming it. But this does not imply a right to remain idle or to sit back and merely criticize. Such withdrawal is justified only when we strive to realize in ourselves the higher aims of mankind. For although the sage remains distant from the turmoil of daily life, he creates incomparable human values for the future.

Lines marked '6' and '9' will change in the hexagram just displayed. After the changes, you get:

 

6: ?

5: ?

4: ?

3: ?

2: ?

1: ?

Hexagram 17

隨 (suí), Following

Above: 110 兌 (duì) : swamp, marsh (澤), "the Joyous", Open

Below: 100 震 (zhèn) : thunder (雷), "the Arousing", Shake

The trigram 兌 (duì), the Joyous, whose attribute is gladness, is above; 震 (zhèn), the Arousing, which has the attribute of movement, is below. Joy in movement induces following. The Joyous is the youngest daughter, while the Arousing is the eldest son. An older man defers to a young girl and shows her consideration. By this he moves her to follow him.

The Judgment

Following has supreme success.
Perseverance furthers. No blame.

In order to obtain a following one must first know how to adapt oneself. If a man would rule he must first learn to serve, for only in this way does he secure from those below him the joyous assent that is necessary if they are to follow him. If he has to obtain a following by force or cunning, by conspiracy or by creating faction, he invariably arouses resistance, which obstructs willing adherence. But even joyous movement can lead to evil consequences, hence the added stipulation, "Perseverance furthers" — that is, consistency in doing right — together with "No blame." Just as we should not ask others to follow us unless this condition is fulfilled, so it is only under this condition that we can in turn follow others without coming to harm. The thought of obtaining a following through adaptation to the demands of the time is a great and significant idea; this is why the appended judgment is so favorable.

The Image

Thunder in the middle of the lake:
The image of Following.
Thus the superior man at nightfall
Goes indoors for rest and recuperation.

In the autumn electricity withdraws into the earth again and rests. Here it is the thunder in the middle of the lake that serves as the image — thunder in its winter rest, not thunder in motion. The idea of following in the sense of adaptation to the demands of the time grows out of this image. Thunder in the middle of the lake indicates times of darkness and rest. Similarly, a superior man, after being tirelessly active all day, allows himself rest and recuperation at night. No situation can become favorable until one is able to adapt to it and does not wear himself out with mistaken resistance.

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